My Mohammed Rafi Playlist-Y

“Where’s X?”

Well, there’s no X in the Rafian alphabet, like no L in Japanese or no F or V in Korean and no H in Russian, because I couldn’t find any of his songs starting with X, and even Japanese and Korean, well, many languages, have no X, but Chinese and Vietnamese do. Every language has a letter it doesn’t have, like my French teacher said every teacher has a class he/she doesn’t have. And when it came to X, sunheriyaadein and bollyviewer inserted some songs that didn’t even really start with X, as if it were a blank space, but lucky me, I try to put those songs in whatever letter they really begin with. I really feel X is no place for a Rafi song.

So that’s why I’m leaving out X and skipping to Y.

Yeh Mera Prem Patra Padh Kar-Sangam(1964): “Read this love letter of mine, and don’t get mad, you are my life, you are my bonding…” Rajendra Kumar writes Vyjayantimala a love letter and tries to cheer her up and not get mad(“naraaz na hona”) with this dreamy Shankar-Jaikishan track. And Rafi songs, especially this one, really feel like love letters, for his voice is so rich, smooth, soft, dreamy, and moreover, charming, just like hot chocolate or custard pudding.

Yunhi Tum Mujhse Baat Karti Ho-Sachcha Jhoota(1970): Rajesh Khanna and Mumtaz go on a boat ride in this cute, flavorful Rafi-Lata duet from Kalyanji-Anandji. Reminds me of the Little Mermaid. Plus, it’s another of my favorite songs.

Yeh Parbaton Ke Dayere-Vaasna(1968): Biswajeet and Kumud Chhugani gaze around the garden with this rarity of Chitragupt. Kinda reminds me of “Jaag Dil-E-Deewana”.

Yaadon Ki Baraat-Yaadon Ki Baraat(1973): What a rocking bromantic duet picturized on Tariq Khan and Vijay Arora, with R. D. Burman’s booming score.

Yamma Yamma-Shaan(1980): Another masterpiece of Panchamda, where he sings this Arabian flair song for Amitabh Bachchan with his loud, heavy metal voice, and Rafi’s soft unicorn voice on Shashi Kapoor.

Yeh Reshmi Zulfein-Do Raaste(1969): A bearded Rajesh Khanna compliments Mumtaz’s looks, especially her hair and eyes, with this lovely solo love song from Laxmikant-Pyarelal’s direction. I remember Swarit singing this song in the Rafi episode of Sa Re Ga Ma Pa Lil’ Champs.

Yeh Aansoo Mere Dil Ki Zubaan Hai-Hamrahi(1963): Very poignant song from Shankar-Jaikishan’s score and picturized on a lonely, brooding Rajendra Kumar, that reminds me of that late, cool channel Rafiology, who got killed due to so many copyright issues blindly taken by other channels, like Filmi Gaane and Gaane Sune Ansune. I cry for that channel every night and day and in my sleep, even more than an ice cream or a chocolate bar. RIP Rafiology!

Yaad Mein Teri-Mere Mehboob(1963): This lightly classical duet, based on raga Darbari, feels like a fairytale, with Naushad’s sheer magic, picturized on Rajendra Kumar and Sadhana. I love Mere Mehboob songs very much, so irresistible. Naushad made such epic, classical soundtracks, like also Mughal-E-Azam, Palki, Leader, and many. Gives me memories.

Yeh Dil Deewana Hai-Ishq Par Zor Nahin(1970): Dharmendra and Sadhana sing this sensual duet with S. D. Burman behind the scenes.

Yeh Maana Meri Jaan-Hanste Zakhm(1973): Feisty qawwali song, under Madan Mohan’s direction, with Navin Nischal as the lead singer on screen there.

Yeh Jo Chilman Hai-Mehboob Ki Mehndi(1971): Rajesh Khanna charms Leena Chandavarkar with this Laxmikant-Pyarelal fairytale.

Yeh Na Thi Hamari Kismat-Non-filmi song: This is a classical rendering of a Mirza Ghalib ghazal.

Yahoo-Junglee(1961): Shammi Kapoor insanely yells out the yahoo in this Shankar-Jaikishan earthquake in the heroine Saira Banu’s debut. Feels like a nuclear explosion. This was my favorite in my later elementary school days. And I have a joke: What’s Shammi’s favorite search engine? YAHOOOOOOOO!!!!! But that was just a joke, and there was not really any Internet during Rafi’s time.

Yaad Na Jaye-Dil Ek Mandir(1963): Another sentimental song composed by Shankar-Jaikishan and picturized on Rajendra Kumar. Even if time flies, memories shouldn’t go and thus should be preserved, like those photo albums and scrapbooks. There are really a lot of things that disappear over time, but some we can’t forget. If life had a rewind button, I wish we could get to that stuff more, like the Pany Pang website, the virtual Potter Puppet Pals scene maker, the Mouse’s Sorting Hat, and of course, our beloved channel Rafiology.

Yeh Teri Saadgi-Shabnam(1964): Mehmood serenades Vijayalaxmi in this rare gem of Usha Khanna.

Yehi Hai Tamanna-Aap Ki Parchhaiyan(1964): Jolly love song picturized on Dharmendra serenading Supriya in Madan Mohan’s composition.

Yeh Raat Yeh Fizayein-Batwara(1961): This rare gem of rare musician S. Madan lights up a dark night. Feels like a moist chocolate cake.

Yehi Hai Woh Sanjh Aur Savera-Sanjh Aur Savera(1964): Tragedy stars Guru Dutt and Meena Kumari get touched in this light duet of Shankar-Jaikishan.

Yeh Desh Hai Veer-Naya Daur(1957): Dilip Kumar leads this very patriotic song of O. P. Nayyar. So proud to be an Indian, and a Rafian too!

Yamma Yamma-China Town(1962): Very peppy duet in Ravi’s score, featuring Shammi and Helen. There’s a Telugu version of this song(“Gumma Gumma”), and also “Baar Baar Dekho”(“Enthavaru Gani”), from the Telugu movie Bhale Thammudu, also by Rafi sahab, with P. Susheela, but didn’t like it as much as Hindi, not my cup of tea. Sorry guys, Hindi version is best. Asha sang it way better than P. Susheela. And even Rafi sounds way better in Hindi than Telugu. His Hindi voice is cute, soft, sweet, charming, mild, kind as a unicorn, but he sounds kinda loud, aggressive, and overreactive as a dragon in Telugu.

Yeh Tera Husn Nasha-Non-filmi song: This Madan Mohan ghazal is so soft and lovely that it soothes me like a cup of tea…

Yeh Raat Hai Pyaasi Pyaasi-Chhoti Bahu(1971): Rajesh Khanna sings this Kalyanji-Anandji bedtime song to Sharmila Tagore.

Yeh Duniya Yeh Mehfil-Heer Ranjha(1970): Raaj Kumar feels so lost and lonely in those deserted places as he wanders around with this soulful Madan Mohan classic.

Yeh Chand Sa Roshan Chehra-Kashmir Ki Kali(1964): Why S. H. Bihari’s lyrics are talking about a blonde, blue-eyed girl, while Shammi is really serenading this peppy O. P. Nayyar classic to a raven-haired, black-eyed Sharmila Tagore in her prime?! The lyrics don’t even match the picturization! LOL! And I even had a funny dream where Patrick watched this song on Squidward’s TV and turned it off.

Yun Rootho Na Haseena-Neend Hamari Khwab Tumhare(1966): Shashi charms Nanda in this light, effortless love song of Madan Mohan. But I wish Madan sahab had made more scores for Shashiji.

Yun Bekhudi Se Kaam-Non-filmi song: This rare ghazal, based on raga Malkauns, feels like an angel’s prayer…

Yeh Hawa Yeh Mastana-Akeli Mat Jaiyo(1963): Rajendra Kumar and Meena Kumari go on a sleigh ride with this blissful Madan Mohan number with some Japanese flair. Reminds me of a fairytale forest adventure.

Yeh Rang Bhare Badal-Tu Nahin Aur Sahi(1960): Pradeep Kumar and Nishi enjoy the train ride with this blissful Ravi track.

Yeh Vaada Raha Dilruba-Professor Pyarelal(1982): Dharmendra and Zeenat Aman snuggle this Kalyanji-Anandji duet like a love story. Reminds me of “Kya Dekhte Ho”.

Yeh Wadiyan Yeh Fizayein-Aaj Aur Kal(1963): Sunil Dutt looks at the open nature with this Ravi track.

Yahan Main Ajnabee Hoon-Jab Jab Phool Khile(1965): Shashi states in this soft piano track of Kalyanji-Anandji that he is a foreigner here.

Yeh Zulf Agar Khul Ke-Kaajal(1965): Helen plays a courtesan dancer in this Ravi composition, and a drunk Raaj Kumar praises her beauty in Rafi’s rich, soft, warm voice, just like milk tea.

Yeh Dil Tum Bin Kahin Lagta Nahin-Izzat(1968): Dharmendra and Tanuja try to find each other’s love in the open hills with this light duet of Laxmikant-Pyarelal.

Yeh Parda Hata Do-Ek Phool Do Mali(1969): Sanjay Khan and Sadhana tease each other in this peppy Ravi ched-chad song.

Yeh Ishq Ishq-Barsaat Ki Raat(1960): Feisty, party jolly qawwali from Roshan’s composition on raga Kalavati, featuring Bharat Bhushan.

Yeh Raat Bahut Rangeen-Shagoon(1964): Waheeda Rehman’s real-life hubby Kamaljeet renders this haunting Khayyam ghazal.

Sorting these songs by letter is as fun as sorting Disney characters into Hogwarts houses, that it makes a useful tool for that singing game called antakshari, where the next song should start with the last letter of the previous, and that was the original point that gave me the idea of sorting these songs, even if they aren’t all Rafi songs. But still, I’d like to acknowledge sunheriyaadein, bollyviewer, and also Achal Rangaswamy for inspiring and influencing me to do my own Rafi alphabets.

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